![]() Standing by the box, press and hold RT/R2 to charge a spirit blast and then release it to power up the box. Inside you’ll find a power box on the wall. Moving quickly, control Marianne in the spirit world and head through the door. To solve this puzzle, press and hold B/Circle to have an Out of Body Experience. Now move the clock hands to 5:00 o’clock, which will see the mysterious man opening the door to the secret room. To access Thomas’ secret room, move the clock hands to 4:00 o’clock, as this will open a spirit well on top of the desk - walk over and absorb the energy and return back to the clock. Opening the door to the clock, Marianne will now have access to move the clock hands, which will change the layout of the room in the spirit world. How to Enter Thomas' Secret Room (Clock Puzzle Solution) When picking up the flashlight that’s sitting in the draw on the ground, you’ll find a small key that just so happens to fit the large clock. Titled “To-Do List”, picking up this letter will earn you an achievement.Īfter investigating the clock, begin examining the contents of the desk. The letter appears to be somewhat recent and details a schedule of their morning. He has often collaborated with Caruso St John, architects of Nottingham Contemporary, on the designs of his exhibitions.Note: When searching the desk, you’ll find the first letter from the Troubled Man’s Notes. He has had solo exhibitions at the Museum of Modern Art, New York, the Irish Museum of Modern Art in Dublin, Serpentine Gallery in London and the Neue Nationalgalerie, Berlin, as well as representing Germany at the Venice Biennale of 2003. The lines, planes, textures and colours he composes from the models recall Modern painting and sculpture, including Picasso’s reliefs, as well as mid-20th century abstract painting.īorn in 1964 in Munich Thomas Demand is one of Germany’s most prominent artists. “It’s the sculptural presence, and the traces of someone’s practice, of understanding and remodelling, which raised my attention.” Demand’s beautiful photographs also recall the history of 20th century art. ![]() “I tried to avoid making images of architecture,” Demand writes. Depicting them from many angles, he establishes an intimate relationship with them that is independent of the buildings they refer to. This is the first time that Demand has photographed models that are not his own. In contrast Lautner’s models are old, bruised and well-used, a humble counterpoint to his heroic, spectacular architecture. If you don’t catch the shot on that day, it’s gone,” he has said. “They have one peak of perfectness, of immaculate beauty, sometimes just for a day or two. Demand’s own models are destroyed immediately after he has photographed them. He has made models of the Oval Office of the US President, the tunnel in Paris where Princess Diana had her fatal accident and a Florida counting station where a contested vote in 2000 elected George W.Bush instead of Al Gore.ĭemand’s exhibition is based on 12 architectural models he discovered in the Lautner archive. Despite the absence of people and his often deceptively ordinary scenes, they are loaded with significance. His own art involves making painstaking paper models of architectural interiors and other built environments and then photographing them. “Architecture has always been in the centre of my attention, because it deals with utopias and ideas of a somehow better future,” he has said. Lautner’s glamorous and curvaceous homes have featured in many films, including the 1971 Bond film Diamonds Are Forever.ĭemand himself has a keen interest in architecture. His exhibition at Nottingham Contemporary is a result of a residency at the Getty Research Institute in Los Angeles where he discovered the archive of the celebrated architect John Lautner (1911 – 1994). Acclaimed German artist Thomas Demand is best known for his large scale photographs that question the medium as a faithful record of reality.
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